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                A Glossary Of Useful Sewing Terms

Arm Scye: The arm hole of a garment, where the sleeve is attached

Basting: Temporary stitches to keep the garment together for fitting. These are usually hand sewn lines of stitching, made with a running stitch about " or 1.5 cm in length.

Binding: This is a narrow strip of fabric or tape used to cover the raw edges of a garment. It can be on the inside where it won’t be seen, or on the outside to show as decoration. For many hidden uses, BIAS BINDING will be asked for.

Bias: If something is cut on the true bias, it is cut at 45 degrees to the selvage. Bias cut garments were very popular in the 1930’s. They drape beautifully, and cling to the figure more than straight cut garments.

Bias Binding: A binding strip cut on the bias. You can buy it ready cut, or cut it from the fabric you are using to make a ‘self’ bias binding.

Blind Hemming: Hemming stitches that cannot be seen from the outside of the garment.

Border Print: These patterns are printed with the pattern along one edge, and a narrow strip down the side for hems. Sari fabric frequently has a border print. They are often used for skirts.

Bust Point The point on the pattern where the point of the bust should fall.

Calico: a closely woven cotton fabric that is used for many construction and craft things. It is a natural cream cotton colour, and frequently has cotton seed husk still in it. It comes in a variety of different weights. One common use is for covering upholstered furniture that will have loose covers. (Americans frequently refer to printed cotton fabrics as ‘calico’.)

Clean Finishing: Finished edges of the garment, rather than the raw edges formed by cutting the fabric. This can be done by binding the edges, or over sewing them by hand or machine.

Cross grain: Some thing is cut at right angles to the grain line, across the grain. Border prints are usually cut this way.

Ease: The difference between the body measurement and the pattern. Ease differs according to the type and style of garment. For standard ease allowances, please look at the Ease Allowance chart.

Edge Stitching: A decorative straight stitch along the edge of a garment. Also useful for keeping the edges of collars sharp. It is usually about 1/16" or 1 mm from the edge of the garment.

Facing: The piece of fabric inside a garment opening (like a sleeve or neck opening) that encloses the raw edge of the fabric. It is frequently interfaced.

Face: The outside or ‘right’ side of a fabric, the side you see when the garment is finished.

Face Cloth: The outside or ‘fashion’ fabric, rather than the lining or interlining.

Grain Line: The warp direction of the fabric, up and down the length. If something is ‘off grain’ then it is not laid out with the grain line following that of the fabric.

Hair canvas: A light weight springy cloth used as an interfacing for traditional gents tailoring. It is sewn by hand to the face cloth.

Hem: The bit you turn up at the bottom of a garment to stop it fraying and getting tatty!

Hemming Tape: A narrow tape used to strengthen hems in tailored trousers. It is sewn on to the hem on the outside of the turned up hem inside the garment after the hem has been turned up.

Hip Point: The point on the pattern where the hip comes.

Horsehair Braid: A loosely woven braid mainly for stiffening hems. It comes in several weights, and used to be made of horde hair. Now more commonly made of nylon or polyester.

Interfacing: A special fabric sewn in between the layers of a garment to help it hold its structure. Interfacing comes in many different types, suitable for many different fabrics. For a fuller explanation of the different types and their uses, look at the Interfacing Chart. Interfacing comes in two sorts: sew in, which you sew into place, and fusible, which you iron on.

Interlining: A fabric that comes between the face cloth and the lining, usually used for warmth or to add substance to a light weight fabric. A good example is the insulating layer in a padded or quilted jacket.

Jumper: 1) In the UK this means a Jersey or pullover. In the US it means a pinafore dress.

2) A small plastic device for ‘jumping’ over lumpy seams with the sewing machine. Also known as a Hump Jumper or Jean-A-Ma-Jig. Something which does the same job may also be sold as a button reed. Very useful when sewing up the hems of your jeans!

Lining: This is a lighter weight fabric that goes inside a garment like a jacket or coat. It helps you to put the garment on easily as it is usually shinier than the top fabric. A lining may match or contrast with the garment, and can be made of almost anything. Linings can help to eliminate a see through effect on a light weight dress fabric too. The lining also helps a garment to last longer. Linings should be chosen to complement the fashion fabric.

Loom State: As the fabric comes off the loom, before it has undergon any finishing, dying or printing process. Loom state cloth will shrink, and will need treatment before use.

Muslin: 1) a light weight loose weave cotton fabric akin to cheese cloth. it is absorbent, and makes good pressing cloths.

2) the American term for a toile (see below)

Mounting: The process of using two fabrics as one: You cut out the face cloth and the mount as one and sew all processes with them together. It can give solidity to sheer fabrics and weight to light fabrics.

Notches: Diamond shaped marks that stick out beyond the edge of the pattern, to help you to line up all the pattern pieces when you sew the garment. They come in pairs to be matched up.

Pin: A small sharp thing for holding garments together temporarily, and for holding patterns to fabric for cutting out. If you are told to pin something together, then place the pins so that they go in and out of the face of the fabric, thus: 0- --

Pressing: The art of pressing is different from the art of ironing, Most importantly, one usually uses a dampened pressing cloth rather than steam, and the iron is picked up off the cloth and moved, rather than rubbed back and forth.

Raw Edge: The cut edge of a piece of garment. It may fray or unravel if left in this state.

Rise: The distance from hip to waist: sit on a table and cross one leg over the other. Measure from the waist down to the table on the upper leg side. This is your rise measurement.

Seam Allowance: The little bit of fabric between the cut edge of the garment and the seam line. Frequently this is 5/8" or 1.5cm

Seam Line: The line on which to sew when putting a garment together. It is the seam line which must be matched when putting the garment together, not the raw edge.

Straight Grain: This is what the grain line follows: the warp threads.

Selvage: The woven edge of the fabric, where the weft threads bend round to go in the other direction.

Slash: A cut opening in the garment. It can be for a pocket, to insert something like a contrasting piping, or for an opening to allow you to put the garment on.

Shoulder pads: These are shaped pads of felt or foam, put in the shoulders of garments to give them shape. They are frequently used in tailored garments like jackets and coats. They come pre formed in many shapes and sizes, or you can make your own.

Stabilisers: These fabrics are a bit like interfacing, but are usually temporary, being largely removed after the process requiring them is complete. They are used to stabilise a fabric for such things as machine embroidery and buttonhole sewing. They prevent the fabric from stretching and distorting while the process is carried out. Modern stabilisers include polythene like sheets that dissolve away when dampened, very stiff self adhesive stuff that can be peeled away for embroidering areas too small for a hoop, and spray on stuff that vanishes when washed or steam ironed.

Stay Stitching: a line of stitching put in only just inside the seam line to prevent an area of the garment stretching or distorting before it can be assembled. Common round sleeve and arm holes, and at the apex of sharp corners and slashes.

Tacking: The same as basting: temporary stitches that are removed after sewing, or to hold something in place during construction. They are usually removed before the garment is worn, tough some may end up hidden inside the garment and may not need to be removed.

Tailor’s Tacks: Temporary thread marks for matching points or to mark where things are to be placed. They are removed after use.

Toile: This is a garment made from cheap fabric, used to ‘prove’ a pattern: you make this version up to ensure that the pattern fits: any alterations can be transferred to the pattern before cutting out the real version. it is usually only done with expensive garments and fabrics that would mark, like silk wedding dresses. The American term is ‘muslin’.

Top Stitching: A decorative stitch like edge stitching, but further from the edge of the garment. They can come in multiple rows and look very smart.

Under Stitching: A line of stitches round the inside of a garment that sews the seam allowances to the facing to prevent it rolling to the outside. Usually between 1/16" and " from the edge of the garment. It does not show on the outside.

Warp: The long threads that go on the loom, and follow the length of the fabric. They are usually stronger than the filler threads, which is why most garments are cut following them (i.e. on the grain).

Weft: These are the filler threads that are woven in and out of the warp threads to form the cloth. They are not usually quite as strong as warp threads

Woof: Another term for warp threads.

 

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Mary Prior's 10 Tips for Machine Embroidery  - Embroidering on Difficult Fabrics
   Mary,Prior,Husqvarna,Designer1,Designer 1,Designer#1,sew,sewing,sewing machine,machine embroidery,embroidery software,feet,bobbins,craft,needlecraft,pattern,tailoring,Halesowen,West Midlands,UK,demonstrated at Gill Arnold Sewing World Day